3.09 TS – Feasting the Word: In Search of Oral–Performativity In and Around Byzantium

This panel aims to map out oral-performativity in and around Byzantium as an essential component to knowledge of Byzantine cultures, Greek or non-Greek. Walter J. Ong (1912-2003) revolutionized historical disciplines by introducing the concept of orality as a hermeneutical key replacing the dangerous, colonialist category of the “primitive” that gave Western observers a vantage from which to appraise other people who were geographically or temporally alien. Ong’s concept of orality undoubtedly suits a description of Byzantium as a society where few had access to reading and writing and where books remained the prerogative of elites. But the oral mode can remain unhelpfully abstract. In this group of six papers by both established scholars and doctoral candidates, oral culture in Constantinople and other Byzantine spheres of influence – notably, Coptic Egypt, Palestine, and Armenia – is coupled with the discovery of a pervasive performance modality through which texts were continuously re-interpreted and made available to a larger public in different forms. While literate Byzantium has overwhelmingly occupied scholars, this panel addresses manuscripts, texts, images, and music by revealing their performative potential. The ways in which God’s Word is not only studied or heard but feasted and performed, like a true spectacle of sons et lumières, is highlighted in both cathedral and monastic ritual contexts.