Architecture Without Borders: 12th-Century Hungary, Poland, and Rus’
Architecture Without Borders: 12th-Century Hungary, Poland, and Rus’
Özlem ErenSR 7
Architecture of 12th century Galicia-Volhynian Rus’ (part of modern-day Ukraine, Belarus, and Poland), reflects Byzantine, Romanesque and Slavic influences. The church of Saint Panteleimon in Old Halych, the best-preserved example of monumental architecture in Galicia-Volhynian Rus’, stands at the crossroads of Eastern and Western Europe. Its heavy stone structure, gabled roof, single dome on a long drum, and sculptural decorations reflect Byzantine, Hungarian, Polish, and Italian architectural traditions. Thus, Galicia-Volhynian architecture participated in a broader phenomenon of “Byzantium beyond Byzantium” through dialogues between regional architectural traditions beyond the imperial borders of Byzantium. In the 11th century, Hungary, Poland, and Galicia-Volhynia were all ruled by centralized authorities, but by the 12th century, power slowly became fragmented. This political and social shift in all three lands likely increased connections between regions and promoted the spread of architectural elements. Orthodox princes and boyars of Galicia-Volhynian Rus’ may have emulated Catholic Hungarian nobles in their aspirations to power. By comparing Romanesque elements in Hungarian and Polish churches with those in Galicia-Volhynia, the paper explores how Orthodox elites adopted Western features in response to shifting power dynamics and regional aspirations. Similarly, interactions with neighboring Lesser Poland (Krakow region), especially with Przemyśl and Chełm as former Galicia-Volhynian seats of power, and the shared identity of Rus’ princes, played a key role in transmitting Romanesque elements, blending with local Byzantine and Kievan Rus’ traditions. Examining Romanesque churches in Hungary and Poland reveals parallels with the architecture of Galicia-Volhynia, likely transmitted through traveling builders and cultural exchange of ideas. This challenges the Russian imperialist narrative of a continuous cultural lineage from Kiev to Moscow, showing how the architecture of Galicia-Volhynia developed through Western interactions, separate from Northeastern Rus’. This offers a new perspective on 12th-century Rus’ architecture rooted in regional diversity.
